It’s what makes Marisa’s fashion transformation highly effective and endearing. Among the finest scenes within the film is when Marisa emerges at a elaborate Met celebration sporting an unforgettable strapless peach chiffon robe, punctuated with a hefty diamond wreath necklace by Harry Winston. “You and me can’t go anyplace past this night,” Marisa tells Christopher, figuring out her white lie can’t go on for much longer. “Then you must have worn a unique costume,” he replies. The plot might revolve round their difficult romance —however the coronary heart of the film is seeing Marisa start to thrive. Via her glamorous transformations, she begins to stay her greatest life within the Large Apple, and not using a grueling lodge schedule to fret about. As a hard-working single mother, it’s what she deserves.
Marisa isn’t the one feast for the eyes within the movie, nonetheless. As she tries to snag Christopher for herself, villainous socialite Caroline Lane (Richardson) delivers some impeccable outfits within the course of. It’s actually her wardrobe that Marisa borrows from, in any case. She has this minimal, traditional aesthetic about her that’s simply so New York. When she has a mini meltdown on the concierge desk, she sports activities a white beaded v-neck sweater—you realize, informal day put on. When she outs Marisa as a maid, she does so sporting a traditional olive turtleneck costume that’s good for winter.